May 14, 2013

Sara Franklin and The Sellable Sketch

Today we are proud to feature the work of Sara Franklin, a recent alumna of The Sellable Sketch Workshop. She created a beautiful collection over the course of this six week design class, drawing on her “love of abstract expressionism, the home decor market and the feeling of freedom when putting paint to paper!” Sara has been able to apply the methods learned in the Sellable Sketch Workshop to her everyday work as a stationery designer, and hopes to sign with a textile agent soon.

Prior to taking the Sellable Sketch Workshop, Sara struggled with “loving pattern design from a distance but not knowing where to start with this world. Having no prior experience in the textile industry, being fascinating by it, but the thought of learning how to create patterns, what to create and why all felt a bit daunting.” She now has an “understanding of the surface design industry in general, and of how to create patterns and collections. It is not the mystery world that it once was. So it’s great to just move forward with all this new knowledge.”

Register now for your spot in the upcoming workshop, which starts May 27th. -Chelsea

May 13, 2013

Children’s Trend: Baby Punk

Post by Claire Carey, images via: Super Trash, Molo, Bakker made with love (Orange Mayonnaise), Zadig et Voltaire, Soft Gallery, Babiekins, Munster Kids, Ej Sikke Lej, Stella McCartney, ESP No.1

“funky, hip, a bit ‘out there’, very grown up and also very current (think the Met Ball in NYC last weekend!). This punk trend is line drawings, black, painterly lines, quirky figures and illustrations with a lot of neon” – Claire

May 10, 2013

Featured Designer: Keema of Pencil Me In

Today’s featured designer, Keema of Pencil Me In, has a knack for developing patterns that are stunning, sophisticated, bold, clever and just plain fun. I had the pleasure of meeting her during February’s UGTR Workshop and fell in love with her pattern styling.

Keema is a stationery and textile designer who loves color, texture and anything design. While attending the Hartford Art School at the University of Hartford, she won the Connecticut Art Director’s Club Excellence Award for a branding project, amongst other accomplishments. Post graduation, she was asked to join Glamour Magazine as an intern. There, she learned the behind the scenes of how to maintain a successful magazine, which lead to her Assistant Art Director position at Symphony Publishing. Keema finally began her own company Pencil Me In™ where she provides fun stationery and bold textiles.

Over the weekend, take the time to check out Pencil Me In. You can also follow Keema through her blog.

May 9, 2013

Gayleigh Chester and The Sellable Sketch

Over the next few weeks we will be featuring alumni of The Sellable Sketch Workshop, the collections they developed and the success that they have found from implementing this process.

Before taking The Sellable Sketch, full time mother Gayleigh Chester had not picked up a paint brush since graduating from college, which was nearly fifteen years ago. She knew that she wanted to enter the pattern marketplace, but didn’t know where to turn and how to get started. She had talent and passion, but lacked the confidence to get her work out there into the world.

The Sellable Sketch Workshop “is fantastic for people looking for a way back home after many years of being away from design for whatever reason. Michelle is amazingly reliable in answering any questions, which make the course really feel like our own community and she is amazingly giving and sharing- she really wants us to succeed.”

The result?

Within six months of completing the course, Gayleigh signed with two of her “dream agents” and is now on the road to an abundant freelance career. “This course gave me the confidence to develop my own style and to clearly present my collections in a professional way.”

During the six week Sellable Sketch workshop one of my goals is to help each designer find their path. That means analyzing a designer’s inspiration sources and sketching styles, before moving onto market research and print concepts. This initial work is important because it helps designers stand out in the marketplace and makes the design process more natural and authentic. For inspiration Gayleigh looks to “the parks and gardens that I have seen throughout my life and travels. I look to graffiti walls for the beautiful scratches, faded coloures and textures and the woods for the magic!”

Gayleigh Chester is a hard working, talented designer who just needed a small push in the right direction. She took The Sellable Sketch system and ran with it, creating a bright future for herself within this industry and it is a joy to see. Congrats Gayleigh!

The Sellable Sketch Workshop brings clarity to the collection development process and designers leave feeling focused, confident and motivated to get their work out into the marketplace. Click here to learn more.

May 8, 2013

Street Patterns: Kaleidoscope

Post by Victoria Snape, images via: (Top row right) Venus over water, (Middle row right) Sit stay go, (Middle row left) Verabel and fox, (Bottom row left) Fun makes good

May 3, 2013

Featured Designer: Laura Mysak

These beautiful florals are from the UK-based designer Laura Mysak. I was immediately struck by the expressive nature of her work, which momentarily takes me away to a serene garden or countryside escape. They are simply lovely!

Laura graduated in 2002 from Duncan of Jordanstone College of Art in Dundee with a First Class Honours degree in Printed Textiles, and then went on to complete a Masters in Textiles at Winchester School of Art. Since that time she has worked as a textile designer, supplying patterns to the UK high street and designer labels. Like most commercial artists, Laura feels called to explore her own path. “I have always had a passion for florals and the greatest enjoyment I get is from doing a handpainting of a flower group and turning them into a surface pattern design. I follow my instincts as to what is a good design and not necessarily always following the trends. It feels like freedom to not be tied down to what is ‘in’ and what is not.”

This year Laura hopes to expand her collection, “building in new themes and styles and hopefully increase my product outcome to include other avenues such as ceramics, stationary and wallpaper.” You can learn more about Laura’s work through her website or blog.

May 1, 2013

Monthly Vignette: April 2013

April has come and gone and over the past month we have had the opportunity to share beautiful patterns, inspiring interviews and opportunities within our industry. To learn more about any of the featured designers please scroll down to find their post or use the search bar on the right. To see previous vignettes please visit the Pattern Observer youtube channel and subscribe to our page. Have a wonderful month!

Music by: Sweet William’s Ghost at http://www.myspace.com/sweetwilliamsg…

April 30, 2013

Surtex 2013

Surtex is coming up next month (May 19th-21st) and if you are exhibiting we would love to help spread the word! This is a call for your promotional flyers, which we will be sharing on the Pattern Observer Pinterest page in the hopes of generating some pre-show visibility for all you lovely designers! If you are interested in sharing, shoot us a quick email at info@patternobserver.com with a jpg of your flyer and a link to your website. We would also love to make it a “group board” in which you can pin some samples of your work to give a taste of what will be featured at the show. If you have a Pinterest account we welcome you to email us your username and we will add you as a contributor to the board.

Nicole Tamarin was kind enough to allow us to use her Surtex flyer for this post. If you are attending the show, be sure to stop by booth 744 to see Nicole’s beautiful illustrations that are available for licensing.

We look forward to receiving your flyers and connecting with you on Pinterest! – Chelsea

 

April 29, 2013

Children’s Trend: Circus Play

*post by Claire Carey, images via (clockwise): Anive for the Minors, Molo, Le Train Fantome, Lucky Boy Sunday, Kanelimaa, 7781 shop, Maileg, Babiekins, mimilou, Fairytale Jubilee ( Rena Durham Photography for Babiekins Magazine)

A strong colour palette, geometric prints mixed with stripes and circus illustrations – lots of fun & very playful. A little bit of the unexpected and theatrical.- Claire

April 26, 2013

Featured Designer: Belinda Crossley of Brkich

As businesses grow it is often difficult to find the right balance between staying involved in the process and letting go of certain tasks. Outsourcing aspects of one’s business to a collaborator, assistant or another business is wonderful, but it can also be very uncomfortable and scary.

Belinda Crossley of Brkich, who designed the pieces that you see above, recently started outsourcing the printing and manufacturing of her garments and she seems to be doing it all in stride. She found a local printer who she loves working with, Printink Studio, and this enables to focus her time on other aspects of the business.

The basis of her latest collection, Opercula, “was originally sourced from botany books and online imagery, but the most pivotal inspiration came from a much more immediate source; the plants and gardens found in suburban melbourne streets. Thus Opercula is less about the outback and more about the Eucalyptus along the nature strip and the Grevillea peeking over your back fence.” To see the entire collection please visit brkich.com.

I hope that you all have an absolutely wonderful weekend. Registration for The Ultimate Guide to Repeats Workshop closes this Sunday, April 28th so if you haven’t taken the time to register, please do so TODAY!

April 23, 2013

Mario Troise and The Hermès Scarf

Mario Troise specializes in product and brand development, and recently published a short video showing some of the process behind the famous Hermès scarves. This video showcases the level of care and detail that goes into creating an Hermès scarf, and was such a treat to have land in our inbox! Read on for Mario’s explanation of this inspiring process:

I travel a lot and I’m fascinated about fine art, design and creative projects. I attended the Festival des Métiers organized by Hermès in San Francisco. Hermès is famous for being one of the few fashion houses to still value hand made products and I was interested in the processes behind the products.

The Festival included products from each department. There were craftsmen showcasing glass products, there were jewelry designers, watch designers, leather artisans and the artists involved in pattern design.

The silk screening process is fantastic. I am very familiar with industrial screen printing, but I have never seen something as intricate as that. They are extremely concerned with details – from sketching to the final product.

A silk scarf begins with a square pattern designed by one of their artists. The image is divided in screens (usually 10 to 20, but it could go up to 40 screens) according to color and size. Yes, they could make a silk scarf with only a couple of screens, but they prefer to separate colors as much as possible.

Each layer of color is applied meticulously. Despite using the best technology available, they rely on experienced artisans to control the process. Each scarf uses around 300 silk cocoons (imported from Brazil).

Unlike industrial screen printing, this process involves a lot of human decisions. A seamstress takes 40 minutes just to hem one scarf. Can you imagine how many t-shirts are made in China in 40 minutes?

The demonstration took just about 30 minutes, but a real scarf would take hours to be produced, dried and finished.

You can see more of Mario’s work at imagimario.com

-Chelsea

April 19, 2013

Interior Patterns: Korla

Korla sent over these beautiful photos of their latest collection and I fell in love with the way in which the brand uses color. I was working with a designer last night and pointed out that she was using too many two color patterns in her collection. “You need more color! What about adding a few four color prints?” Well, Korla’s collection is a reminder that a stunning, dynamic collection can be created with only two and three color patterns. Instead of color, they rely on spacing, layout and scale to add diversity to their collections and the results are stunning!

Korla was created in 2011 by Jane Bonsor & Ted Utoft and “creates and manufactures original collections of colourful and contemporary textiles. Our fabrics are available by the metre, as made-to-measure curtains and blinds, or across a line of bespoke home accessories.”

Jane, who also launched the fashion label Pocket Venus, is the British-born designer behind Korla. “After moving to Singapore with her husband, she sold her business, had three babies in quick succession and decided to leap into the world of interiors with the launch of Korla. As Creative Director she has chosen the best prints from her Pocket Venus catalogue, tweaking both colour and scale to transform them from fashion fabrics into a dynamic interiors collection.”

Ted grew up in a small town in the American Midwest. Upon graduating he ventured to China where he worked as a journalist in both Beijing & Shanghai. “He later came to Singapore to work as a qualitative market researcher and brand consultant finding out what makes Asian consumers tick. Clients included major multinationals in consumer goods, alcohol, travel, insurance, finance, oil, telecommunications and entertainment. After more than five years of travelling the region for the marketing and branding industry he joined Jane to serve as Korla’s Executive Director.”

You can see more examples from their fabric collection here. Have a fabulous weekend everyone!

April 18, 2013

The Ultimate Guide To Repeats: Designer Highlights (Part Two)

If you haven’t already heard, registration for the next UGTR Workshop opens on Monday! I love teaching this workshop and cannot wait to dive into the nitty gritty of layouts and repeats with a new group of designers. Several graduates of the February workshop agreed to let me share their course projects along with the inspiration behind each pattern. Last week I posted several set repeat examples, and today I am proud to present tossed layout designs from Trina Dalziel, Joanne Paynter and Patti Tobin Davis. You can learn more about the workshop here.

Featured Designer: Trina Dalziel

What was your inspiration behind this design?

The inspiration came from drawings I re-found in a sketchbook from a Greek island holiday a few years ago.

What was your biggest take away from the UGTR?

Making a good and functional repeat takes different skills from making a design or piece of artwork that is non repeating. It’s not something that comes easily to me. One of the things I really love about Michelle’s courses are the live chats where she’ll demonstrate things on screen and we can type in questions and as they are all recorded I can go back and replay and replay till I’ve mastered it!  Sometimes when you are starting something new you know something isn’t working but can’t identify what or why. As Michelle pointed out where repeats aren’t totally working or the little elements that are causing lines – I started to see them too and spot  them in my own work.  Some people are good at figuring things out them selves or learning from text books – however Michelle’s courses are great for people who like to learn by watching and asking questions and getting feedback and sharing

Featured Designer: Joanne Paynter

What was your inspiration behind this design?

I really love this one, my thought/inspiration for this print was thinking along the lines of Forest Themes and Little Red Riding Hood, since this was among one of my favorite childhood Fairy Tales. Keeping it simple, fun and feminine was my goal here and having it maintain the “less is more” feel. One of my biggest inspirations is nature, and I am currently working on developing a large collection of floral patterns to add to my portfolio.

Featured Designer: Patti Tobin Davis of Circle Everything

What was your biggest take away from the UGTR?

I have been a graphic designer for over 20 years, working primarily in newspaper advertising. About 10 years ago I began painting mandalas and abstract nature. It is through my paintings that I realized my appreciation for pattern. Recently, I declared that I wanted to design textiles and soon after found Pattern Observer. Textile design was something completely foreign to me, but the Ultimate Guide to Repeats class made it accessible. The class included loads of information on different techniques to create viable repeats. It also included suggestions and feedback to make the designs more refined and professional. I am just a beginner, but feel I have learned enough to keep me busy for a while!

 

April 17, 2013

Street Patterns: Peacocks

*post by Victoria Snape, images via: (Top row right) Sally Boyle, (2nd row right) Fivestones vintage, (2nd row left) Robin and Mould, (Bottom row right) Moxie and oliver

April 16, 2013

Featured Designer: Sara Gunderson

Today we are excited to feature some gorgeous prints by freelance CAD artist, Sara Gunderson. Sara studied Fashion Design at Moore College of Art and Design in Philadelphia, but really fell in love with her minor: textiles. After graduation, she joined a start up textiles studio and sold original prints to companies such as Kohl’s, BCBG, Gap, Ann Taylor, Target, Urban Outfitters and Macy’s.

Sara is all about experimentation and exploring new materials and goes “hunting for textures to make abstract ‘noprints.’ I gather leaves, pine cones, the bags that oranges come in, toy cars, tiny plastic dinosaurs, jelly jars with textured bottoms, anything that may make an interesting mark…I think it’s important to try stuff out even if you don’t know where it’s going to take you. That’s the fun part!”

You can see more from Sara on her blog, theprintprinciple.tumblr.com, a combination of inspiration images and prints she designs.

- Chelsea

April 15, 2013

Children’s Trend: Sandcastle and Starfish

*post by Claire Carey, images via: Chalk Chook, Scotch & Soda, Winter Water Factory, Modeerska Huset, Mini & Maximus, Dreamy Photo, Shan and Toad, Simply Boco, Babiekins

This trend has a little bit of romance; it’s about the sky and sea and how they tone and tint the colours around. – Claire

April 11, 2013

The Ultimate Guide To Repeats: Designer Highlights (Part One)

We are gearing up for another Ultimate Guide to Repeats Workshop (class starts April 29th!) and several graduates of the February workshop were kind enough to allow me to share their course projects along with the inspiration behind each pattern. Based upon student reviews and the growth that I witnessed, these four weeks were TRANSFORMATIONAL and I am honored to be able to work with such an open and supportive community of designers. As a thank you, and to spread the word about what we are doing, we are offering a two week free training program for designers interested in improving the professionalism of their artwork. Learn more here.

These patterns were developed during the first week of the workshop, which focuses on production techniques and set layouts.

Featured Designer: Joanne Paynter

What was your inspiration behind this design?

I love to travel and I get a lot of my print inspiration in doing so. One of my favorite trips to Mexico was to the the Riviera Maya with my sister. On our trip we visited the ruins of  Chichen Itza, Coba and Tulum. Looking back on our trip photos I pulled inspiration of color, line and shape in creating this print. I wanted to give it a literal brick by brick feel as this was the most amazing thing we took from visiting these breathtaking ruins.

What was your biggest take away from the UGTR?

My biggest take away from the course would probably have to be learning how to create repeating patterns in Photoshop as I have only used Illustrator up until now. I am really  loving the new Pattern Tool in CS6 and just amazed by all the skills I have taken away from Michelle by attending this online course.

Featured Designer: Sue Mattero

What was your biggest take away from the UGTR?

UGTR e-course really IS the ultimate guide. The tutorials explore pattern in great detail, from printing methods, to repeat methods in Adobe Illustrator and Photoshop. Although the course is geared to textile design, all techniques are great for any design that requires a pattern: gift wrap, bags, tags, etc. I highly recommend UGTR to anyone who wants to get a solid handle on everything you’ll need to know about repeating patterns from a professional in the field.

Featured Designer: Libby Heasman of Crimson Pear

What was your inspiration behind this design?

My design was made recently using the centre of the pear in my logo. My logo is about to change and I was quite obsessed with fruit motifs at the time so I thought it would be cool to turn the ‘seeds’ into a design.

What was your biggest take away from the UGTR?

The course provided so much great information that is just not available anywhere else, and trust me I’ve looked. Michelle really knows her stuff and it wasn’t just the pattern making tips and tricks, which were truly awesome, but also the industry information. For me the biggest lesson was manipulating my designs in Illustrator, these videos were so helpful and I’ve watched them many times since the course.

April 10, 2013

Street Patterns: Shibori

*post by Victoria Snape, images via: (Top row right and 2nd row right) Pom by Pomegranate, (Top row left, 3rd row right and left ) Sea and stone studio, (Bottom row left) Oriba Shibori- S.Fennell

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