Grow Your Textile Design Business

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The Textile Design Lab

Members of this tight-knit community are continually improving their craft, learning new techniques, staying informed with the most up-to-date styles, and making their artwork more profitable.

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Featured Designer: Naila Malik

NailaMalik2NailaMalik1Naila Malik is a British textile designer and lecturer and you may remember her as our guest expert for February in The Textile Design Lab. Naila studied at Winchester School of Art and has worked in the fashion industry for several years designing for the high street, creating hand painted and CAD textile collections. She has also worked as a freelance designer for several London design studios including Palm Studios and Whiston and Wright, as well as working as a textile lecturer. As our guest expert, Naila provided free training on creative sketchbooks and we got to know her a little better in this interview. Today we would like to share some of Naila’s beautiful hand-painted artwork with you!

“I’m working on these bold painterly designs inspired by the work of Abstract artists. I have been combining my paintings and textiles together and enjoyed just allowing the paint to create interesting shadows, textures and marks.”

You can view more of Naila’s work on her Society6 page. She is currently available for any bespoke freelance work at Enjoy the weekend! -Chelsea


Three Ways to Break Out of Your Design Rut

RYU Emilie test 2_0076Do you remember how inspired, energetic and elated you felt when you first started working in the design world? You were learning new techniques, meeting inspiring people, and looking forward to a bright future in the industry.

Some of you got to experience this sensation when you were in design school, while others, like me, experienced it as an in-house assistant designer. My first few years in the design world were an amazing experience. I learned a tremendous amount about the apparel industry, picking up a new technique or tip nearly every single day.  I was given more responsibility and was rewarded with small, but steady, promotions and raises. I was loving life and my dreams were coming true!

After a few years, I was promoted to a junior design position.  That’s when something interesting happened.  Despite the fact that I enjoyed my job and my co-workers; feelings of boredom, isolation, and frustration begin creeping into my day.  Something was missing but I didn’t know what.  I was still learning a new technique here and there; however, those moments of intense growth were far and few between.

I was no longer seeing the growth that I knew was possible, both in my artwork and in my career position.  Can you relate?

It’s natural to experience those feelings from time to time, we’re only human.  Thankfully, it is within our control to overcome those times of stagnation and keep working toward achieving the vision that we have for our future. Are you wondering how?  Here are a few ideas to get started:

* Small environmental changes have a tremendous impact on our ability to look at things from a new perspective.

Some days to avoid feeling “stuck,” I’ll work in several different rooms in my house. As a mentor, I see amazing results from designers who have worked in one market their entire career and suddenly switch to a new market. The new challenge and unique perspective create the most innovative designs.

* Experimenting with new artistic techniques, either by hand or on the computer, is the only way to grow as a designer.

Even if the results are not “ready for market,” I always find a way to use the artwork in the future, maybe as an overlay or background texture.

Here are some techniques that work for Chelsea and I:

1. Dissect the big picture. Look for pattern inspiration within patterns. For example, look at a leaf close-up, what textures or patterns can be found on this common motif?
2. Get off the computer! Keep a folder of doodles, sketches, photos, and artistic experiments that you can refer to and build upon when you are stumped.
3. Layer techniques. Use the motifs, textures and concepts that you created in idea #2 and layer these pieces with various filters, overlays and existing patterns.

* Reaching out to communities for inspiration, support, and collaboration makes you a stronger person

Some communities are highly structured, such as an online workshop, forum, or corporate work environment. Other communities occur more organically through email, a blog, or an event. When in need, take inspiration, ideas, and support from the community. When you have something to offer you should leave a comment, mention an idea, or find a way to support the community.

DSC_1783Incorporating these techniques into my creative process has enabled me to continually grow as designer, developing innovative prints for clients such as RYU, Pendleton, and Moving Comfort.  It has also enabled me to grow as a business owner and leader in the design community. Breaking through a design rut positively affects the quality and freshness of your artwork, as well as: brings in new clients, jumpstarts your career, benefits those in your design community and keeps you happy!!!

Tell me, what is your favorite method to breaking out of a design rut? I’d love to hear about it in the comments.

*all photos were taken by Jordan Matter for RYU

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Handmade textiles by Ayelet Iontef

Ayelet Iontef1 Ayelet Iontef2Feast your eyes on these breathtaking handmade textiles by textile designer Ayelet Iontef! Ayelet has worked as a textile designer since 1990 and teaches about colors and patterns at Shenkar College in Israel. Ayelet writes, “I specialize in printed design for home (bedding expert.) I sell designs for leading companies and brands around the world, mainly in Europe, and I wish to also sell to my favorite American stores like West Elm and Anthropologie. Recently I created small editions of scarves and pillows which I sell in local shops and at my ETSY shop. I have a blog where you can easily contact me on all social networks, including my Facebook page. My work is now presented at the first textile exhibition at Israel Museum in Tel-Aviv.”

I hope Ayelet’s work will inspire you to step away from the computer for a moment today and play around with some paint, ink, pastels or other non-digital media! Photoshop and Illustrator are wonderful, necessary tools but there’s nothing quite like the freedom, expression, and sometimes messiness of creating by hand, where there is no “undo” button. Have a great Wednesday. -Chelsea