Discovering Your Artistic Style

Is your artistic style varied? Do you feel like a design chameleon, switching between aesthetics, such as painterly florals and illustrated characters? Many designers feel pressured to find one signature style and create a distinct brand. This approach can work and is wonderful for licensing opportunities. But what if you enjoy exploring different artistic styles, such as bold, textural patterns and soft, painterly designs? Read on to learn more…

Table of Contents: 

Defining Your Artistic Style 

A single, recognizable style can be helpful when marketing your work, but it’s not essential.  Some designers thrive in creating patterns in various styles. They might enjoy creating sophisticated patterns for home decor one week and whimsical patterns for childrenswear the following week. 

Embracing the Design Chameleon 

While designing in many different styles has gotten a bad rap in today’s online teaching ecosystem, being a design chameleon means you can easily adapt your style to projects and clients. This flexibility is a major asset, broadening your appeal and opening yourself up to more clients and revenue. 

Adaptability also prevents creative burnout. Many well-known artists have shifted their styles over time. Remember to embrace each unique moment and let the muse guide you.

Knowing Your Artistic Limits 

Being a versatile designer is valuable, but recognize your limits.  Some styles may be difficult or unenjoyable. Perhaps intricate florals are your strength, while geometric patterns are not. 

Identifying boundaries saves time.  It’s okay to pass on projects outside your comfort zone.  I do not enjoy designing t-shirt graphics, so I typically pass these projects along to other designers who excel in these styles.

Developing Your Artistic Style 

Unsure of your strengths? There are many techniques for discovering your artistic style. Consider your favorite subjects, preferred mediums like watercolor or gouache, or the desired mood you wish to evoke in your work. 

Or, on the other hand, are you feeling overly repetitive? Take steps to diversify subject matter, colors, and patterns while using the same medium to tie your collection together.  This focused approach clarifies your expertise for clients.  For example, a client might recognize you for whimsical children’s apparel patterns in various mediums.

If you are feeling overwhelmed, start with the artistic style that comes most naturally to you and then slowly experiment with different artistic styles. Each unique design will attract new clients, build your design skillset, and help you identify which styles you want to avoid in the future!

Experiment with Different Mediums 

Exploring mediums is crucial.  Try traditional methods like watercolor, gouache, or colored pencils, along with digital tools like Procreate or Illustrator.  This broadens your skill set and helps you find preferred methods.  Determine how mediums capture specific elements and note their strengths. 

Study Different Artists 

Study artists from various art movements, like Impressionism with artists like Claude Monet, Camille Pissarro, Alfred Sisley, and Pierre-Auguste Renoir.  Examine techniques, color palettes, composition, and subject matter. 

Identify appealing artistic styles.  Consider why they resonate with you and how they influence your creativity.  Explore how they developed their styles. 

Practice Regularly 

Out of all these recommendations, this is the most important: Practice consistently to refine your artistic style(s). Dedicate time each week to exploring artistic expression through various designs. Consistent practice improves your ability to execute your vision, and you’ll begin to create your “go-to” techniques that work well for your style, brand, and clients.

Mastering artistic styles requires consistent work, training, and feedback. 

Presenting Your Diverse Artistic Styles 

If you’re a design chameleon, aim for similar volumes in each style or section in your portfolio.  Avoid imbalance, such as one watercolor next to many digital illustrations.  This organized presentation will create a varied but not scattered or random portfolio.

🌟 Ready to Amplify Your Artistic Style? 🌟

In the Textile Design Lab, we help you refine your style, stay ahead of trends, and showcase your work.

What’s waiting for you:
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  1. Thank you for that post Michelle, I have the same problem! Sticking to the same style ends up being too boring for me, but keeping a recognisable visual identity becomes harder when your work varies…

  2. I had an interview a while back where a woman looked through my chameleonic portfolio, pulled out a tribal print and a photo-realistic floral (both vector files), and demanded I explain myself.

    1. Ha! Wow what an experience that must have been Sarah! I hope your versatility opened her eyes to wider possibilities? 😉

  3. It’s so nice to finally get permission from someone in the business to be ourselves. I too like to bounce from one style and design to another. I often get bored and lose my incentive if I don’t. The stress of needing to find MY style was weighing on my shoulders and making me not want to finish my sketches for fear of not getting them to look alike. Thank you!

    1. You’re welcome! So glad you found this helpful and that you will be able to move forward working in the way that feels best to you!

  4. Such good advice! I hate to work in just one style, now I don’t need to stress over this and I can move forward with creating my portfolio. Thank you!

  5. so true! i branched out to try botanical drawing recently and discovered I LOVED it. I didn’t think it was my ‘style’ at all, so started to get worried I have too many styles. Creating like this gives us the freedom to experiment and enjoy the process and let ourselves be naturally drawn to our gifted areas. Thanks Michelle – reading this helps to ‘unlock’ me from the fear that I have to find my one and only hallmark style, and will fail if i don’t.

  6. Music to my ears! I like to float around trying different styles and illustration techniques (hand painting, directly in computer, drawing etc). In the past I have gotten a bit down because I don’t have a well defined “look” but as I get older, I care less and less (yeah for aging!). Also, I have noticed that sometimes designers who have one look will be popular for a few years but then struggle because their look is not as fresh anymore. I like to think that staying open to new styles and techniques will ultimately be more sustaining and interesting.

  7. Thank you!!! I thought I was failing because I couldn’t stick to a style. I, too, get bored doing the same thing.

  8. It’s weird – I always tried to find my style for figure drawing, but just “did” textile design w/o trying to find a style – then looking over my work, I saw trends and styles emerging. I tend towards certain things. My eye favors certain color palates. It’s a lot easier when you don’t put the pressure on and just start creating work. Love your advice Michelle – it shouldn’t be a struggle, but it should be engaging!

  9. I think This is a great advice for all new people who starting they career in the market including myself. I felt bit all over the place and also was not sure what exactly would i love to design best. So I guess its just go with the flow on the beginning and experiment with many different styles , and after some time, when time comes I am sure everyone will find they particular style. I guess this will come with time :-).
    Thank you Michelle & Chelsea. ( I have painted this amazing flowers in PS thanks to your tutorials Chelsea, but kind of can’t put them in print arrangement…. erghhhh, I guess it will come with time, I shall just keep trying.

    1. Thanks Joanna!! Have you checked out my design tutorial in The Lab about floral layout? It can be found under Tutorials > Pattern Design Tutorials. Hope it helps! 🙂

  10. Your words really resonated with me. I have never wanted to be boxed in to one style, even in my painting. When I look back over the years, I see that abstraction and then more graphic design work keep rolling over and over. I wanted to keep challenging myself with different approaches, but always heard that as an artist you need to focus on “one style”. I’m glad I didn’t, and it’s a welcome relief to hear that in the textile industry there is room for more than one style from one artist. Getting too bored with a singular approach kills my spark to create, so thanks for the encouragement on that topic!

  11. So different “styles” means different mediums i.e. digital, painting, watercolor, drawing, collage, etc.? Thanks for clarifying! 🙂

    1. Yes that’s part of it! And also qualities like how loose or detailed your artwork is, as well as subject matter and what markets you are targeting can all factor in. Sometimes it can help to take a look at different artists’ work and pick out the qualities that distinguish them from others, what makes them unique…for instance, what makes a Picasso a Picasso or a Monet a Monet (or a candogirl a candogirl!) 😉

  12. Thank you so much for this post!
    I just started designing patterns on a regular basis, and because I try to share my work on IG it’s easy to see that my feed has not a cohesive look right now. And I was worrying that I had to find my ONE voice. But I think there are at least two ways I like creating, and the outcomes are very different. So thank you for the advice of trying to balance both styles, and also to know my limits.

  13. Thank you so much for this post – amazing advice and good to know im not alone. After 20 odd years designing as ‘an employee’ – its a skill set that Im proud of but one that means I am now rather flighty and frequently change styles (or at least am prone to getting bored easily sticking to one thing!)
    This has been a bug bear of mine and an excuse to not get a move on and step into a new chapter. I am excited to hear there is a way forward. 🙂

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