Diving into the creative process with paints, charcoals, pencils, or other mediums is one of the most rewarding parts of our craft.
This creative freedom is exciting and liberating, which is the opposite of how many designers feel when they begin using Adobe Illustrator or Photoshop. Because the digital design process is so different you feel like your creativity comes to a screeching halt as you enter the world of small boxes (pixels) and the selector tool (the arrow).
You may be thinking, why should I have to learn Illustrator or Photoshop? There’s a good reason why.
In today’s textile design market, both clients and printers are requesting digital artwork. If you are unfamiliar with these programs it’s natural that you may feel that your hands are tied and you’re unable to take your artwork to the next level. You want to deliver great results for clients and buyers—all while maintaining sanity and a smile. Every designer who has gone through this process gets it!
Are you ready to accept that it is important to use Illustrator and Photoshop? But not ready to deal with the frustrations of finding your digital groove? Here are three problems and solutions that may help you. I know they helped me, and made a huge difference in my outlook and the outcome of my efforts.
1. You are forcing yourself to use the wrong program.
Adobe Photoshop and Adobe Illustrator are both fabulous programs for creating and editing digital artwork; however, almost every artist does prefer one program over the other. It’s human nature to have preferences, even with technology. Likewise, it’s human nature to resist technology we don’t fully understand.
Painters and fine artists with a looser, more organic style tend to be drawn to Photoshop.
Those artists who are more technical tend to be drawn to Illustrator.
Neither choice is wrong. Both programs serve a purpose and assist in creating amazing digital work for clients and buyers. So, take a moment to reflect on your current “go-to” program and evaluate if it’s perhaps time to switch things up and try something new.
2. You don’t understand what all the tools are, much less how to use them.
There’s an old saying that sums this frustration up perfectly: “You don’t know what you don’t know!” What an appropriate saying, one which applies to using digital artwork programs such as Adobe Illustrator and Photoshop. These programs are robust and powerful, which is great when you know your options and have mastered the techniques and tools they offer. But…if you don’t know what tools or options are available to use it can be a frustrated experience. The best way to overcome this frustration is to make sure you receive the proper training to help you learn how to use the tools that help you do your job better. It turns a potentially frustrating experience into a fabulous one.
3. You feel out of control.
When you don’t know which tools will work best for you the software will guide you off of how it’s programmed. Why not know the software and improve your process and experience? Many artists find that they lose their style and creative vision while working in programs they don’t fully understand. Learn the digital tools of your digital trade and avoid the software dictating the flow of your designs. This is all in your control!
Are you ready to up your digital game? Your artistic style and creative spirit does not have to be inhibited by software or the digital art world. These two different places can merge into an amazing collaborative effort.
Your voices and concerns have been heard by Pattern Observer. This is why we’re so excited to introduce a free course about Adobe Photoshop. Find out the details here: https://patternobserver.com/photoshop-love.
You’re on the cusp of growing as a designer by knowing how to use the tools in the Photoshop program. We’re so excited to help. Get started here.
At Pattern Observer we strive to help you grow your textile design business through our informative articles, interviews, tutorials, workshops and our private design community, The Textile Design Lab.